From @phlzinefest: HEY YALL WE ARE DELETING THIS ACCOUNT
I’m tired of having an instagram account specifically this one/ don’t have 2 energy to run it anymore nor do I think that it’s really even needed. Zine fest will be every last Sunday of the month at 3pm in Clark park and you’ll just have to come pop out or self organize to make shit happen there. We`re trying to plan something special for six months of zine fest in June
So keep coming to hang out !. Today was really fun.Buttt… We made these posters for zine fest that can be used every month!! Please screen shot for your future use! Send to friends who’ve just moved to ‘hillor zine distros that are oming thru town or print some out and paste them round vour neighborhood or hang them in your dorm hall
Please save our flyers and share that tshit around send friends and invite them every month or so , if you have friends who have shit they wanna distro send to your crew.
This is autonomously organized which means I can’t do all this shit by myself including getting the” word out about the event so screen shot that shit fr and keep it in your camera roll to print out or send to friends. We don’t need instagram.com fuck this shit fuck zuck fuck X and all social media the whole spirit of zine festis connecting in person so let’s make that happen
PEACE OUT
Black anarchists will be gathering at O.R.C.A. to write to incarcerated Black rebels and revolutionaries who were arrested during the George Floyd uprising that erupted five tears ago. We’ll talk about different Black prisoners from the uprising as well as reflect upon the meaning of that time five years out. As always, leave your white or non-Black partner at home! Paper, stamps, and envelopes will be provided. Bring zines, food and your homies. Please wear a mask.
We’ll be writing to the following Black prisoners of the uprising. If you can’t attend, we encourage you to write on your own time in the spirit of solidarity.
MAY ZINE FEST FLYER & DATE JUST DROPPED !!! MAY 25th, 3PM AT CLARK PARK (every last Sunday of the month) 🫣 u guys already know the drill by now , WE WANNA SEE MORE FREE SHIT THO 🗣️🗣️🗣️ no shade to those who’s hustle is selling their art but we’re tryna create a little pocket of the world where not everything is gatekept and influenced by capital!! (The free groceries were sick af last time!!) We wanna see copies of any cool zines you picked up last month , prints of any art you’ve been working on, keep coming thru with the emotional mini zines and crying punchcards that shit was so funny. See ya there ;)))
Vamos a pasar un rato conociendo a Ch’o Tinimit, un nuevo centro social anarkista en Xela, Guate. Habrá comida, juegos, musica, amigos y conversación con unx de lxs fundadorxs del proyecto. Invitan a sus amigos, y traiga una mascara de covid!
Join us for a low-key kickback to learn about Ch’o Tinimit, a new Anarchist info shop in Xela, Guate. There will be food, friends, games, music, and conversation with one of the founders of Ch’o Tinimit. Bring your friends, wear a mask!
On a late summer day in 1906, a small group of newly arrived Jewish immigrants in Philadelphia took a streetcar across town to Fairmount Park. Several miles from the cramped row houses and oppressive sweatshops of the immigrant quarter of South Philly, the neighborhood now known as Queen Village, they enjoyed a sunny picnic.
They weren’t there to make small talk, though.
Instead, they wanted to write “revolutionary articles” that would spark the “struggle against all that degrades and oppresses humanity,” as one of the leaders of the group, Joseph Cohen, later wrote in his 1945 memoir.
More specifically, the picnicgoers wanted to start a newspaper. It would be titled Broyt un Frayheyt – Yiddish for Bread and Freedom – the anarchist reminder that to live the good life, one needs both.
I’m a professor of media and politics at Temple University in Philadelphia. For the past year I’ve been tracking the life and times of my great-grandfather Max, a radical Yiddish journalist in the early years of the 20th century.
To my surprise, I found he had lived here in Philadelphia, and his story is part of a largely forgotten moment in U.S. history: when Philly was an epicenter of the national anarchist movement, heartily supported by the city’s burgeoning Jewish immigrant community.
Beyond the Russian pale
By 1906, thousands of people like Max had made their way to Philadelphia from the Russian “pale” – the only part of the Russian Empire where they could legally reside. They fled economic isolation and state-sanctioned persecution in search of a more stable life.
South Philly was better than where they had come from, but immigrant life then, as now, was by no means easy. They had escaped a legal regime of oppression and the perpetual threat of antisemitic mob violence. But in turn they found a world of dark alleys and dead ends. Their labor was exploited, their living conditions meager.
For some, the American promise of freedom and prosperity seemed to ring hollow.
They did, however, find one freedom they had not experienced before. They were able to speak, write and publish their ideas no matter how outlandish or against the grain.
The Yiddish press in the United States was experiencing extraordinary growth at the time. In New York, Philadelphia and other cities, newspapers quickly emerged – and often disappeared – month over month.
Max moved to Philadelphia in 1906 to work with another immigrant named Joseph Cohen. Cohen had arrived in Philadelphia three years earlier. He earned a scant living making cigars, but his real work was advocating anarchism.
At the dawn of the 20th century, anarchism was not the nihilistic chaos the term may bring to mind today. It was a heartfelt dream of a free and egalitarian society.
The anarchists believed that man-made hierarchies – political, economic and religious – were illegitimate and limited the full expression of humanity. They rejected the authority of the state. That particularly appealed to many Jewish immigrants, for whom laws in the old country had long served as vehicles of oppression.
Cohen had studied this philosophy of local autonomy and communal life with the Philadelphia activist Voltairine de Cleyre.
History may remember Emma Goldman, a Lithuanian-born New Yorker and perhaps the leading voice of American anarchism from that era. But de Cleyre was the heart and soul of Philadelphia’s anarchist scene.
A tireless critic of the inequities of the industrial age, de Cleyre had taught herself Yiddish to better serve as “the apostle of anarchism” in the Jewish ghetto.
While de Cleyre could often be found speaking in front of city hall, Max, Cohen and their colleagues were more likely to gather at the corner of Fifth and South streets, the hub of Philadelphia’s Yiddish press and its culture of rambunctious street debate.
By 1906, Cohen had co-founded the anarchist Radical Library in the upstairs rooms at 229 Pine St. This provided the Philadelphia anarchists a meeting space and reading room.
But “the Jewish newspaper men, the radicals and the tireless talkers,” as the Philadelphia historian Harry Boonin wrote, still congregated in the ramshackle cafes lining the 600 block of South Fifth, where they would argue over anarchism and atheism deep into the night.
Competition with NYC comrades
Cohen’s goal was to publish a nationally influential anarchist paper that would give voice to the “comrades from Philadelphia.”
That meant direct competition with the New York Yiddish press and the influential weekly newspaper Freie Arbeiter Stimme, or The Free Voice of Labor. Edited by Saul Yanovksy on Manhattan’s Lower East Side, FAS was the center of the Jewish anarchist movement and of the Yiddish intelligentsia more broadly.
“To be able to say ‘I have written for Yanovsky,’” wrote the sociologist Robert Park in 1922, “is a literary passport for a Yiddish writer.”
Although the FAS masthead said the paper was located in New York and Philadelphia, Yanovksy controlled the operation from New York, much to Cohen’s dismay.
Cohen had partnered with Yanovsky earlier in 1906 to publish a daily anarchist newspaper. He maintained a small office in the back of Finkler’s cigar store at Fifth and Bainbridge streets. But the paper was printed in New York and delivered back to Philadelphia each morning by courier train.
Cohen wrote in his memoir that he suspected Yanovsky intentionally sabotaged the effort by insisting that he personally write the daily editorial, but then turning in his copy too late for the paper to make the train. After two months the partnership, and the paper, fell apart.
For Cohen, the lesson was that to be the genuine voice of the anarchist movement, he had to print the paper locally in Philadelphia.
Bread and Freedom published its first issue on Nov. 11, 1906. The date was symbolic. It was the anniversary of the execution of the “Chicago martyrs” – the four men wrongly sentenced to death for the 1886 bombing at a labor rally at Chicago’s Haymarket Square. The Haymarket affair galvanized the anarchist movement among immigrants, even as it accelerated the wider fear of foreign-born radicalism.
Over the next three months, the newspaper offered a weekly digest of anarchist arguments. It translated into Yiddish Voltairine de Cleyre’s critique of capitalism and what she called its “moral bankruptcy” – its hunger for wealth, power and material possessions. It attacked what de Cleyre called the “dominant idea” of the times – “the shameless, merciless” exploitation of the worker, “only to produce heaps and heaps of things – things ugly, things harmful, things useless, and at the best largely unnecessary.”
Almost as soon as it began, however, Bread and Freedom ran out of money. Its rhetoric was exciting but ineffective. The paper offered no real solutions beyond an impossible demand to dismantle the capitalist state.
Although two members of the group were briefly detained by the police in Baltimore for selling a radical newspaper, their fiery propaganda lit no revolutionary spark.
Instead, it disappeared quietly, folding in January 1907.
Shifting tactics
Even then, a different kind of immigrant was arriving in the U.S. from Russia. Their radical politics were coupled with organizational acumen.
Many of the older anarchists would join forces with these newcomers, and the effort morphed into something more pragmatic. They helped build the foundations of the 20th-century labor movement, which successfully fought for once-radical ideals such as the eight-hour workday and paid sick leave.
A few years earlier, though, the streets of South Philly had been home to a vibrant space of free speech and boundless political imagination. It would not last long, but it is a moment I believe is worth remembering.
In October 2019, protests against a transit fare hike in Santiago erupted into a nation-wide insurrection against the Chilean state. For six months, the streets were transformed into vibrant laboratories of self-organization, creativity and resistance, before ultimately being cleared by the promise of a new constitution and the spread of a global pandemic.
In the opening installment of Interrebellium, subMedia traces the history of the Estallido Social through the first-hand experiences of its participants, as they share battle-tested street tactics, and hard-won lessons about the lengths that the state will go to repress and recuperate challenges to its rule.